Munechika

宗近
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◯  永延︱ 山城
Sanjo Munechika
IDMUN29
NameMunechika
ProvinceYamashiro
Other ResidenceSanjo, Bungo
Start EraEien (987-989)
End EraChōwa (1012-1017)
Active Period987-1017
SchoolSanjo
LineageImage / Interactive

Source Rating Reference/Page
Hawley500MUN29 
Toko Taikan¥25M 618 
FujishiroSai-jo saku K246 
Signatures:
宗近造
munechika tsukuru
宗近
munechika
三条
sanjo
三条宗近
sanjo munechika

Recorded works

ID/Name Typesort icon Mei Year Ref
0000-0001
Mikazuki Munechika
Tachi
三条
sanjo
NN-2-9-26
NN-1-3-9
NK-2-22
MH-12
0000-0512
Tachi
三条
sanjo
NK-2-23
0000-0024
Takanosu
Wakizashi
三条
sanjo
NN-2-9-28

Biography and lineage

The founder of Sanjo school. He was born in 938 and died in 1014. It is said he came to the capital from Awataguchi [1] and changed his name from Arinari to Munechika in the first year of Eien.

His most famous extant work is meibutsu Mikazuki ‘Crescent Moon’ Munechika (三日月宗近), one of the Five Greatest Swords of Japan, held in Tokyo National Museum.

According to an old legend (the story can be also seen in the Noh play “Kokaji”), Munechika was ordered to make a sword for the Emperor, so he visited Fushimi Shrine in Kyoto to pray for help. As he prayed, a fox-spirit of Inari appeared and helped him construct a sword of exceptional beauty, later called ko-kitsune-maru ('Little Fox').

Munechika_med.jpg KokajiPlay.jpg

Picture 1 (left): Munechika forging a blade ko-kitsune-maru, assisted by a Fox-Spirit in the form of a woman, by Ogata Gekko, 1873
Picture 2 (right): “Kokaji”, a Noh play (performed at Kanze Kaikan, Kyoto)

Workmanship and style [2]

Shape and construction

Munechika's tachi tend to be slightly stronger in shape as compared to those of other Heian period smiths. His blades lack hiraniku.

Kissaki is a little longer than usual for this period. He made kodachi at times. In all cases blades have much grace and elegance.

Horimono

Bo-hi ending in kakudome or in kakinagashi. The tip of the hi covers the whole area of the ko-shinogi.

It is said in the old texts that he made other carvings, such as banners, hoko and suken. There are no known extant blades with these styles of carving.

Hamon

The width of the hamon starts out wide at the hilt and becomes narrow as it goes towards the kissaki. The hamon itself is in nie in suguba with ko-choji midare mixed in. Deep nioi is mixed in the nie.

And the habuchi and inside the hamon there are many clusters of nie either as inazuma, kinsuji or uchinoke. Nijuba will be found from the monouchi area towards the kissaki.

Boshi

Boshi is made in nie kuzure, kaen and komaru with very little kaeri. There are some swords that are done in yakizume.

Jitetsu and hada

High quality iron has been well worked together into exceptionally fine steel resulting in ko-mokume hada and with abundance of ji-nie. Chikei will be found in places.

Nakago

Nakago is made long and has sori. It exhibits hiraniku. Nakago-jiri becomes square and there are occasional kiji-momo.


References

  1. Nihon Toko Jiten, Fujishiro, Matsuo , Volume Koto, (1964)
  2. Swordsmith, Yamanaka, Albert , Nihonto Newsletter, (1968)